The Vampire Armand tvc-6 Page 9

  I threw it on the floor, in a rage, meaning to smear it.

  Why had he said nothing? Why did he force me to these lessons which drove us apart? Why his anger at me for merely doing what he had told me? I wondered if the brothels had been a test of my innocence, and his admonitions to me to enjoy all of it had been lies.

  I sat at his desk, picked up his pen and scribbled a message to him.

  You are the Master. You should know all things. It's unsupport-able to be Mastered by one who cannot do it. Make clear the way, shepherd, or lay down your staff.

  The fact was, I was wrung out from the pleasure, from the drink, from the distortion of my senses, and lonely just to be with him and for his guidance and his kindness and his reassurance that I was his.

  But he was gone.

  I went out roaming. I spent all day in the taverns, drinking, playing cards, deliberately enticing the pretty girls who were fair game, to keep them at my side as I played the various games of chance.

  Then when night came, I let myself be seduced, ho-hum, by a drunken Englishman, a fair freckle-skinned noble of the oldest French and English titles, of which this one was the Earl of Harlech, who was traveling in Italy to see the great wonders and utterly intoxicated with its many delights, including buggery in a strange land.

  Naturally, he found me a beautiful boy. Didn't everyone? He was not at all ugly himself. Even his pale freckles had a kind of prettiness to them, especially given his outrageous copper hair.

  Taking me back to his rooms in an overstaffed and beautiful palazzo, he made love to me. It was not all bad. I liked his innocence and his clumsiness. His light round blue eyes were a marvel; he had wondrously thick and muscular arms and a pampered but deliciously rough-pointed orange beard.

  He wrote poems to me in Latin and in French, and recited them to me with great charm. After an hour or two of playing the vanquishing brute, he had let on that he wanted to be covered by me. And this I had very much enjoyed. We played it that way after that, my being the conquering soldier and he the victim on the battlefield, and sometimes I whipped him lightly with a doubled-up leather belt before I took him, which sent us both into a tidy froth.

  From time to time, he implored me to confess who I really was and where he might afterwards find me, which of course I wouldn't.

  I stayed there for three nights with him, talking about the mysterious islands of England with him, and reading Italian poetry aloud to him, and even sometimes playing the mandolin for him and singing any number of the soft love songs I knew.

  He taught me a great deal of rank gutter-tramp English, and wanted to take me home. He had to regain his wits, he said; he had to return to his duties, his estates, his hateful wicked adulterous Scottish wife whose father was an assassin, and his innocent little child whose paternity he was most certain of, due to its orange curly hair so like his own.

  He would keep me in London in a splendid house he had there, a present from His Majesty King Henry VII. He could not now live without me, the Harlechs to a man had to have what they must have, and there was nothing for me to do but yield to him. If I was the son of a formidable nobleman I should confess it, and this obstacle would be dealt with. Did I hate my Father, perchance? His was a scoundrel. All the Harlechs were scoundrels and had been since the days of Edward the Confessor. We would sneak out of Venice this very night.

  "You don't know Venice, and you don't know her noblemen," I said kindly. "Think on all this. You'll be cut to pieces for giving it a try."

  I now perceived that he was fairly young. Since all older men seemed old to me, I had not thought about it before. He couldn't have been more than twenty-five. He was also mad.

  He leapt on the bed, his bushy copper hair flying, and pulled his dagger, a formidable Italian stiletto, and stared down into my upturned face.

  "I'll kill for you," he said confidentially and proudly, in the Venetian dialect. Then he drove the dagger into the pillow and the feathers flew out of it. "I'll kill you if I have to." The feathers went up into his face.

  "And then you'll have what?" I asked.

  There was a creaking behind him. I felt certain someone was at the window, beyond the bolted wooden shutters, even though we were three stories above the Grand Canal. I told him so. He believed me.

  "I come from a family of murderous beasts," I lied. "They'll follow you to the ends of the Earth if you think of taking me out of here;

  they'll dismantle your castles stone by stone, chop you in half and cut out your tongue and your private parts, wrap them in velvet and send them to your King. Now calm down."

  "Oh, you bright, saucy little demon," he said, "you look like an angel and hold forth like a tavern knave in that sweet crooning mannish voice."

  "That's me," I said gaily.

  I got up, dressed hastily, warning him not to kill me just yet, as I would return as soon as I possibly could, longing to be nowhere but with him, and kissing him hastily, I made for the door.

  He hovered in the bed, his dagger still tightly clutched in his hand, the feathers having settled on his carrot-colored head and on his shoulders and on his beard. He looked truly dangerous.

  I'd lost count of the nights of my absence.

  I could find no churches open. I wanted no company.

  It was dark and cold. The curfew had come down. Of course the Venetian winter seemed mild to me after the snowy lands of the north, where I'd been born, but it was nevertheless an oppressive and damp winter, and though cleansing breezes purified the city, it was inhospitable and unnaturally quiet. The illimitable sky vanished in thick mists. The very stones gave forth the chill as if they were blocks of ice.

  On a water stairs, I sat, not caring that it was brutally wet, and I burst into tears. What had I learned from all this?

  I felt very sophisticated on account of this education. But I had no warmth from it, no lasting warmth, and it seemed my loneliness was worse than guilt, worse than the feeling of being damned.

  Indeed it seemed to replace that old feeling. I feared it, being utterly alone. As I sat there looking up at the tiny margin of black Heaven, at the few stars that drifted over the roofs of the houses, I sensed how utterly terrible it would be to lose both my Master and my guilt simultaneously, to be cast out where nothing bothered to love me or damn me, to be lost and tumbling through the world with only those humans for companions, those boys and those girls, the English lord with his dagger, even my beloved Bianca.

  It was to her house that I went. I climbed under her bed, as I'd done in the past, and wouldn't come out.

  She was entertaining a whole flock of Englishmen, but not, fortunately, my copper-haired lover, who was no doubt still stumbling around in the feathers, and I thought, Well, if my charming Lord Harlech shows up, he won't risk shame before his countrymen in making a fool out of himself. She came in, looking most lovely in her violet silk gown with a fortune of radiant pearls around her neck. She knelt down and put her head near mine.

  "Amadeo, what's the matter with you?"

  I had never asked for her favors. To my knowledge no one did such a thing. But in my particular adolescent frenzy, nothing seemed more appropriate than that I should ravage her.

  I scrambled out from under the bed and went to the doors and shut them, so the noise of her guests would leave us alone.

  When I turned around she knelt on the floor, looking at me, her golden eyebrows knotted and her peach-soft lips open in a vague wondering expression that I found enchanting. I wanted to smash her with my passion, but not all that hard, of course, assuming all the while that she'd come back together again afterwards as if a beautiful vase, broken into pieces, could pull itself together again from all the tiniest shards and particles and be restored to its glory with an even finer glaze.

  I pulled her up by the arms and threw her down on her bed. It was quite an affair, this marvelous coffered thing in which she slept alone, as far as all men knew. It had great gilded swans at its head, and columns rising to a framed ca
nopy of painted dancing nymphs. Its curtains were spun gold and transparent. It had no winter aspect to it, like my Master's red velvet bed.

  I bent down and kissed her, maddened by her sharp, pretty eyes which stared coolly at me as I did it. I held her wrists and then, swinging her left wrist over with her right, entrapped both her hands in one so that I was free to rip open her fine dress. I ripped it carefully so that all the little pearl buttons flew off the side of it, and her girdle was opened and underneath was her fine whalebone and lace. This I broke open as if it were a tight shell.

  Her breasts were small and sweet, far too delicate and youngish for the brothel where voluptuousness had been the order of the day. I meant to pillage them nevertheless. I crooned against her, humming a bit of a song to her, and then I heard her sigh. I swooped down, still clutching her wrists firmly, and I sucked hard at her nipples in quick order and then drew back. I slapped her breasts playfully, from left to right until they turned pink.

  Her face was flushed and she had her little golden frown still, the wrinkles almost incongruous in her smooth white forehead.

  Her eyes were like two opals, and though she blinked slowly, near sleepily, she didn't flinch.

  I finished my work on her fragile clothes. I ripped open the ties of her skirt and pushed it down away from her and found her splendidly and daintily naked as I had supposed she would be. I really had no idea what was beneath the skirts of a respectable woman in the way of obstacles. There was nothing except the small golden nest of her pubic hair, all feathery beneath her very slightly rounded little belly, and a dampness gleaming on her inner thighs.

  I knew at once she favored me. She was hardly helpless. And the sight of the glittering down on her legs drove me mad. I plunged into her, amazed at her smallness and the way that she cringed, for she was not very well used, and it hurt her just a little.

  I worked her hard, delighting to see her blush. My own weight I held up above her with my right arm, because I wouldn't let go of her wrists. She tossed and turned, and her blond tresses worked themselves out of her pearl and ribbon coif, and she became moist all over and pink and gleaming, like the inner curve of a great shell.

  At last I couldn't contain myself any longer, and it seemed when I would give up the timing, she gave herself up to the final sigh. I spent with it, and we rocked together, as she closed her eyes, turned blood red as if she were dying and tossed her head in a final frenzy before going limp.

  I rolled over and covered my face with both my arms, as if I were about to be slapped.

  I heard her little laughter, and she did slap me suddenly, hard on my arms. It was nothing. I made as if I were weeping with shame.

  "Look what you've done to my beautiful gown, you dreadful little satyr, you secret conquistador! You vile precocious child!"

  I felt her weight leave the bed. I heard her dressing. She sang to herself.

  "What's your Master going to think of this, Amadeo?" she asked.

  I removed my arms and looked to find her voice. She dressed behind her painted paneled screen, a gift from Paris, if I recalled, given her by one of her favorite French poets. She appeared quickly, clothed as splendidly as before in a dress of pale spring green, embroidered with the flowers of the field. She seemed a very garden of delight with these tiny yellow and pink blooms so carefully made in rich thread over her new bodice and her long taffeta skirts.

  "Well, tell me, what is the great Master going to say when he finds out his little lover is a veritable god of the wood?"

  "Lover?" I was astonished.

  She was very gentle in her manner. She sat down and began to comb out her tousled hair. She wore no paint and her face was unmarred by our games, and her hair came down around in a glorious hood of rippling gold. Her forehead was smooth and high.

  "Botticelli made you," I whispered. I often said this to her, because she was so like his beauties. Indeed everyone thought so, and they would bring her small copies of this famous Florentine's paintings from time to time.

  I thought on it, I thought on Venice and this world in which I lived. I thought on her, a courtesan, receiving those chaste yet lascivious paintings as if she were a saint.

  Some echo came to me of old words that I had been told long ago, when I knelt in the presence of old and burnished beauty, and thought myself at the pinnacle, that I must take up my brush and I must paint only "what represented the world of God."

  There was no tumult in me, only a great mixing of currents, as I watched her braid her hair again, stringing the fine ropes of pearls in with it, and the pale green ribbons, the ribbons themselves sewn with the same pretty little flowers that decorated her gown. Her breasts were blushing, half-covered beneath the press of her bodice. I wanted to rip it open again.

  "Pretty Bianca, what makes you say this, that I'm his lover?"

  "Everyone knows it," she whispered. "You are his favorite. Do you think you've made him angry?"

  "Oh, if only I could," I said. I sat up. "You don't know my Master. Nothing makes him lift his hand to me. Nothing makes him even raise his voice. He sent me forth to learn all things, to know what men can know."

  She smiled and nodded. "So you came and hid under the bed."

  "I was sad."

  "I'm sure," she said. "Well, sleep now, and when I come back, if you're still here, I'll keep you warm. But need I tell you, my rambunctious one, that you will never utter one careless word of what happened here? Are you so young that I have to tell you this?" She bent down to kiss me.

  "No, my pearl, my beauty, you needn't tell me. I won't even tell him."

  She stood and gathered up her broken pearls and wrinkled ribbons, the remnants of the rape. She smoothed the bed. She looked as lovely as a human swan, a match for the gilded swans of her boatlike bed.

  "Your Master will know," she said. "He's a great magician."

  "Are you afraid of him? I mean in general, Bianca, I don't mean on account of me?"

  "No," she said. "Why should I fear him? Everyone knows not to anger him or offend him or break his solitude or question him, but it's not fear. Why do you cry, Amadeo, what's wrong?"

  "I don't know, Bianca."

  "I'll tell you then," she said. "He has become the world to you as only such a great being can. And you are out of it now arid longing to return to it. A man such as that becomes all things to you, and his wise voice becomes the law by which everything is measured. All that lies beyond has no value because he doesn't see it, and he doesn't declare that it is valuable. And so you have no choice but to leave the wastes that lie outside his light and return to it. You must go home."

  She went out, closing the doors. I slept, refusing to go home.

  The next morning, I breakfasted with her, and spent all day with her. Our intimacy had given me a radiant sense of her. No matter how much she talked of my Master, I had eyes only for her just now, in these quarters of hers which were perfumed with her and full of all her private and special things.

  I will never forget Bianca. Never.

  I told her, as one can do with a courtesan, all about the brothels to which I'd been. Perhaps I remember them in such detail because I told her. I told her with delicate words, of course. But I told her. I told her how my Master wanted me to learn everything and had taken me to these splendid academies himself.

  "Well, that's fine, but you can't linger here, Amadeo. He's taken you to places where you'll have the pleasure of much company. He may not want you to remain in the company of one."

  I didn't want to go. But when nightfall came, and the house filled with her English and French poets, and the music started, and the dancing, I didn't want to share her with all the admiring world.

  For a while I watched her, confusingly conscious that I had had her in her secret chamber as none of these, her admirers, had or might have, but it gave me no solace.

  I wanted something from my Master, something final and conclusive and obliterating, and maddened by this desire, suddenly fully aware of it, I got
drunk in a tavern, drunk enough to be nervy and nasty, and I went blundering home.

  I felt bold and defiant and very independent for having stayed away from my Master and all his mysteries for so long.

  He was painting furiously when I returned. He was high on the scaffold, and I figured he was attending to the faces of his Greek philosophers, working the alchemy by which vivid countenances came out of his brush, as though uncovered rather than applied.

  He wore a bedraggled gray tunic that hung down to his feet. He didn't turn to look at me when I came in. Every brazier in the house it seemed had been crammed into the room to give him the light he wanted.

  The boys were frightened at the speed with which he covered the canvas.

  I soon realized, as I staggered into the studio, that he wasn't painting on his Greek Academy.

  He was painting a picture of me. I knelt in this picture, a boy of our time, with my familiar long locks and a quiet suit of clothing as if I had taken leave of the high-toned world, and seemingly innocent, my hands clasped in prayer. Around me were gathered angels, gentle-faced and glorious as they always appeared, only these had been graced with black wings.

  Black wings. Great black feathery wings. Hideous they seemed, the more I looked upon this canvas. Hideous, and he had almost completed it. The auburn-haired boy seemed real as he looked unchallengingly to Heaven, and the angels appeared avid yet sad.

  But nothing therein was as monstrous as the spectacle of my Master painting this, of his hand and brush whipping across the picture, realizing sky, clouds, broken pediment, angel wing, sunlight.

  The boys clung to one another, certain of his madness or his sorcery. Which was it? Why did he so carelessly reveal himself to those whose minds had been at peace?

  Why did he flaunt our secret, that he was no more a man than the winged creatures he painted! Why had he the Lord lost his patience in such a manner as this?

  Suddenly in a rage, he threw a pot of paint at the far corner of the room. A splatter of dark green disfigured the wall. He cursed and cried in a language none of us knew.