The Vampire Lestat tvc-2 Page 2

  I told them that I wanted to sing with them, that if they were to trust to me, we would all be rich and famous. That on a wave of preternatural and remorseless ambition, I should carry them out of these rooms and into the great world. Their eyes misted as they looked at me. And the little twentieth-century chamber of stucco and pasteboard rang with their laughter and delight. I was patient. Why shouldn't I be? I knew I was a demon who could mimic almost any human sound or movement. But how could they be expected to understand? I went to the electric piano and began to play and to sing. I imitated the rock songs as I started, and then old melodies and lyrics came back to me- French songs buried deep in my soul yet never abandoned-and I wound these into brutal rhythms, seeing before me a tiny crowded little Paris theater of centuries ago. A dangerous passion welled in me. It threatened my equilibrium. Dangerous that this should come so soon. Yet I sang on, pounding the slick white keys of the electric piano, and something in my soul was broken open. Never mind that these tender mortal creatures gathered around me should never know. It was sufficient that they were jubilant, that they loved the eerie and disjointed music, that they were screaming, that they saw prosperity in the future, the impetus that they had lacked before. They turned on the tape machines and we began singing and playing together, jamming as they called it. The studio swam with the scent of their blood and our thunderous songs. But then came a shock I had never in my strangest dreams anticipated-something that was as extraordinary as my little revelation to these creatures had been. In fact, it was so overwhelming that it might have driven me out of their world and back underground. I don't mean I would have gone into the deep slumber again. But I might have backed off from Satan's Night Out and roamed about for a few years, stunned and trying to gather my wits. The men-Alex, the sleek delicate young drummer, and his taller blond-haired brother, Larry- recognized my name when I told them it was Lestat. Not only did they recognize it, but they connected it with a body of information about me that they had read in a book. In fact, they thought it was delightful that I wasn't just pretending to be any vampire. Or Count Dracula. Everybody was sick of Count Dracula. They thought it was marvelous that I was pretending to be the vampire Lestat.

  "Pretending to be the vampire Lestat? " I asked. They laughed at my exaggeration, my French accent. I looked at all of them for a long moment, trying to scan their thoughts. Of course I hadn't expected them to believe I was a real vampire. But to have read of a fictional vampire with a name as unusual as mine? How could this be explained? But I was losing my confidence. And when I lose my confidence, my powers drain. The little room seemed to be getting smaller. And there was something insectile and menacing about the instruments, the antenna, the wires.

  "Show me this book, " I said. From the other room they brought it, a small pulp paper "novel " that was falling to pieces. The binding was gone, the cover ripped, the whole held together by a rubber band. I got a preternatural chill of sorts at the sight of the cover. Interview with the Vampire. Something to do with a mortal boy getting one of the undead to tell the tale. With their permission, I went into the other room, stretched out on their bed, and began to read. When I was halfway finished, I took the book with me and left the house. I stood stock- still beneath a street lamp with the book until I finished it. Then I placed it carefully in my breast pocket. I didn't return to the band for seven nights. During much of that time, I was roaming again, crashing through the night on my Harley- Davidson motorcycle with the Bach Goldberg Variations turned up to full volume. And I was asking myself, Lestat, what do you want to do now? And the rest of the time I studied with a renewed purpose. I read the fat paperback histories and lexicons of rock music, the chronicles of its stars. I listened to the albums and pondered in silence the concert video tapes. And when the night was empty and still, I heard the voices of Interview with the Vampire singing to me, as if they sang from the grave. I read the book over and over. And then in a moment of contemptible anger, I shredded it to bits. Finally, I came to my decision. I met my young lawyer, Christine, in her darkened skyscraper office with only the downtown city to give us light. Lovely she looked against the glass wall behind her, the dim buildings beyond forming a harsh and primitive terrain in which a thousand torches burned.

  "It is not enough any longer that my little rock band be successful, " I told her. "We must create a fame that will carry my name and my voice to the remotest parts of the world. " Quietly, intelligently, as lawyers are wont to do, she advised me against risking my fortune. Yet as I continued with maniacal confidence, I could feel her seduction, the, slow dissolution of her common sense.

  "The best French directors for the rock video films, " I said. "You must lure them from New York and Los Angeles. There is ample money for that. And here you can find the studios, surely, in which we will do our work. The young record producers who mix the sound after- again, you must hire the best. It does not matter what we spend on this venture. What is important is that it be orchestrated, that we do our work in secret until the moment of revelation when our albums and our films are released with the book that I propose to write. " Finally her head was swimming with dreams of wealth and power.

  Her pen raced as she made her notes. And what did I dream of as I spoke to her? Of an unprecedented rebellion, a great and horrific challenge to my kind all over the world.

  "These rock videos, " I said. "You must find directors who'll realize my visions. The films are to be sequential. They must tell the story that is in the book I want to create. And the songs, many of them I've already written. You must obtain superior instruments-synthesizers, the finest sound systems, electric guitars, violins. Other details we can attend to later. The designing of vampire costumes, the method of presentation to the rock television stations, the management of our first public appearance in San Francisco-all that in good time. What is important now is that you make the phone calls, get the information you need to begin. " I didn't go back to Satan's Night Out until the first agreements were struck and signatures had been obtained. Dates were fixed, studios rented, letters of agreement exchanged. Then Christine came with me, and we had a great leviathan of a limousine for my darling young rock players, Larry and Alex and Tough Cookie. We had breathtaking sums of money, we had papers to be signed. Under the drowsy oaks of the quiet Garden District street, I poured the champagne into the glistening crystal glasses for them:

  "To The Vampire Lestat, " we all sang in the moonlight. It was to be the new name of the band, of the book I'd write. Tough Cookie threw her succulent little arms around me. We kissed tenderly amid the laughter and the reek of wine. Ah, the smell of innocent blood! And when they had gone off in the velvet-lined motor coach, I moved alone through the balmy night towards St. Charles Avenue, and thought about the danger facing them, my little mortal friends. It didn't come from me, of course. But when the long period of secrecy was ended, they would stand innocently and ignorantly in the international limelight with their sinister and reckless star. Well, I would surround them with bodyguards and hangers-on for every conceivable purpose.

  I would protect them from other immortals as best I could. And if the immortals were anything like they used to be in the old days, they'd never risk a vulgar struggle with a human force like that. As I walked up to the busy avenue, I covered my eyes with mirrored sunglasses. I rode the rickety old St. Charles streetcar downtown. And through the early evening crowd I wandered into the elegant double-decker bookstore called de Ville Books, and there stared at the small paperback of Interview with the vampire on the shelf. I wondered how many of our kind had "noticed " the book. Never mind for the moment the mortals who thought it was fiction. What about other vampires? Because if there is one law that all vampires hold sacred it is that you do not tell mortals about us. You never pass on our "secrets " to humans unless you mean to bequeath the Dark Gift of our powers to them. You never name other immortals. You never tell where their lairs might be. My beloved Louis, the narrator of Interview with the Vampire, had done all this.
He had gone far beyond my secret little disclosure to my rock singers. He had told hundreds of thousands of readers. He had all but drawn them a map and placed an X on the very spot in New Orleans where I slumbered, though what he really knew about that, and what his intentions were, was not clear. Regardless, for what he'd done, others would surely hunt him down. And there are very simple ways to destroy vampires, especially now. If he was still in existence, he was an outcast and lived in a danger from our kind that no mortal could ever pose. All the more reason far me to bring the book and the band called The Vampire Lestat to fame as quickly as possible. I had to find Louis. I had to talk to him. In fact, after reading his account of things, I ached for him, ached for his romantic illusions, and even his dishonesty. I ached even for his gentlemanly malice and his physical presence, the deceptively soft sound of his voice. Of course I hated him for the lies he told about me. But the love was far greater than the hate. He had shared the dark and romantic years of the nineteenth century with me, he was my companion as no other immortal had ever been. And I ached to write my story for him, not an answer to his malice in Interview with the Vampire, but the tale of all the things I'd seen and learned before I came to him, the story I could not tell him before. Old rules didn't matter to me now, either. I wanted to break every one of them. And I wanted my band and my book to draw out not only Louis but all the other demons that I had ever known and loved. I wanted to find my lost ones, awaken those who slept as I had slept. Fledglings and ancient ones, beautiful and evil and mad and heartless-they'd all come after me when they saw those video clips and heard those records, when they saw the book in the windows of the bookstores, and they'd know exactly where to find me. I'd be Lestat, the rock superstar. Just come to San Francisco for my first live performance. I'll be there. But there was another reason for the whole adventure-a reason even more dangerous and delicious and mad. And I knew Louis would understand. It must have been behind his interview, his confessions. I wanted mortals to know about us. I wanted to proclaim it to the world the way I'd told it to Alex and Larry and Tough Cookie, and my sweet lawyer, Christine. And it didn't matter that they didn't believe it. It didn't matter that they thought it was art. The fact was that, after two centuries of concealment, I was visible to mortals! I spoke my name aloud. I told my nature. I was there! But again, I was going farther than Louis. His story, for all its peculiarities, had passed for fiction. In the mortal world, it was as safe as the tableaux of the old Theater of the Vampires in the Paris where the fiends had pretended to be actors pretending to be fiends on a remote and gas lighted stage. I'd step into the solar lights before the cameras, I'd reach out and touch with my icy fingers a thousand warm and grasping hands. I'd scare the hell out of them if it was possible, and charm them and lead them into the truth of it if I could. And suppose-just suppose-that when the corpses began to turn up in ever greater numbers, that when those closest to me began to hearken to their inevitable suspicions-just suppose that the art ceased to be art and became real! I mean what if they really believed it, really understood that this world still harbored the Old World demon thing, the vampire-oh, what a great and glorious war we might have then! We would be known, and we would be hunted, and we would be fought in this glittering urban wilderness as no mythic monster has ever been fought by man before. How could I not love it, the mere idea of it? How could it not be worth the greatest danger, the greatest and most ghastly defeat? Even at the moment of destruction, I would be alive as I have never been. But to tell the truth, I didn't think it would ever come to that-I mean, mortals believing in us. Mortals have never made me afraid. It was the other war that was going to happen, the one in which we'd all come together, or they would all come to fight me. That was the real reason for The Vampire Lestat. That was the kind of game I was playing. But that other lovely possibility of real revelation and disaster . . . Well, that added a hell of a lot of spice! Out of the gloomy waste of canal street, I went back up the stairs to my rooms in the old- fashioned French Quarter hotel. Quiet it was, and suited to me, with the Vieux Carrel spread out beneath its windows, the narrow little streets of Spanish town houses I'd known for so long. On the giant television set I played the cassette of the beautiful Visconti film Death in Venice. An actor said at one point that evil was a necessity. It was food for genius. I didn't believe that. But I wish it were true. Then I could just be Lestat, the monster, couldn't I? And I was always so good at being a monster! Ah, well... I put a fresh disk into the portable computer word processor and I started to write the story of my life.

  The Early Education And Adventures Of The Vampire Lestat

  Part I - Lelio Rising

  1

  In the winter of my twenty-first year, I went out alone on horseback to kill a pack of wolves. This was on my father's land in the Auvergne in France, and these were the last decades before the French Revolution. It was the worst winter that I could remember, and the wolves were stealing the sheep from our peasants and even running at night through the streets of the village. These were bitter years for me. My father was the Marquis, and I was the seventh son and the youngest of the three who had lived to manhood. I had no claim to the title or the land, and no prospects. Even in a rich family, it might have been that way for a younger boy, but our wealth had been used up long ago. My eldest brother, Augustin, who was the rightful heir to all we possessed, had spent his wife's small dowry as soon as he married her. My father's castle, his estate, and the village nearby were my entire universe. And I'd been born restless-the dreamer, the angry one, the complainer. I wouldn't sit by the fire and talk of old wars and the days of the Sun King. History had no meaning for me. But in this dim and old-fashioned world, I had become the hunter. I brought in the pheasant, the venison, and the trout from the mountain streams- whatever was needed and could be got- to feed the family. It had become my life by this time-and one I shared with no one else-and it was a very good thing that I'd taken it up, because there were years when we might have actually starved to death. Of course this was a noble occupation, hunting one's ancestral lands, and we alone had the right to do it. The richest of the bourgeois couldn't lift his gun in my forests. But then again he didn't have to lift his gun. He had money. Two times in my life I'd tried to escape this life, only to be brought back with my wings broken. But I'll tell more on that later. Right now I'm thinking about the snow all over those mountains and the wolves that were frightening the villagers and stealing my sheep. And I'm thinking of the old saying in France in those days, that if you lived in the province of Auvergne you could get no farther from Paris. Understand that since I was the lord and the only lord anymore who could sit a horse and fire a gun, it was natural that the villagers should come to me, complaining about the wolves and expecting me to hunt them. It was my duty. I wasn't the least afraid of the wolves either. Never in my life had I seen or heard of a wolf attacking a man. And I would have poisoned them, if I could, but meat was simply too scarce to lace with poison. So early on a very cold morning in January, I armed myself to kill the wolves one by one. I had three flintlock guns and an excellent flintlock rifle, and these I took with me as well as my muskets and my father's sword. But just before leaving the castle, I added to this little arsenal one or two ancient weapons that I'd never bothered with before. Our castle was full of old armor. My ancestors had fought in countless noble wars since the times of the Crusades with St. Louis. And hung on the walls above all this clattering junk were a good many lances, battleaxes, flails, and maces. It was a very large mace--that is, a spiked club-that I took with me that morning, and also a good-sized flail: an iron ball attached to a chain that could be swung with immense force at an attacker. Now remember this was the eighteenth century, the time when white-wigged Parisians tiptoed around in high-heeled satin slippers, pinched snuff, and dabbed at their noses with embroidered handkerchiefs. And here I was going out to hunt in rawhide boots and buckskin coat, with these ancient weapons tied to the saddle, and my two biggest mastiffs beside me in their spiked collars
. That was my life. And it might as well have been lived in the Middle Ages. And I knew enough of the fancy-dressed travelers on the post road to feel it rather keenly. The nobles in the capital called us country lords "harecatchers. " Of course we could sneer at them and call them lackeys to the king and queen. Our castle had stood for a thousand years, and not even the great Cardinal Richelieu in his war on our kind had managed to pull down our ancient towers. But as I said before, I didn't pay much attention to history. I was unhappy and ferocious as I rode up the mountain. I wanted a good battle with the wolves. There were five in the pack according to the villagers, and I had my guns and two dogs with jaws so strong they could snap a wolf s spine in an instant. Well, I rode for an hour up the slopes. Then I came into a small valley I knew well enough that no snowfall could disguise it. And as I started across the broad empty field towards the barren wood, I heard the first howling. Within seconds there had come another howling and then another, and now the chorus was in such harmony that I couldn't tell the number of the pack, only that they had seen me and were signaling to each other to come together, which was just what I had hoped they would do. I don't think I felt the slightest fear then. But I felt something, and it caused the hair to rise on the backs of my arms. The countryside for all its vastness seemed empty. I readied my guns. I ordered my dogs to stop their growling and follow me, and some vague thought came to me that I had better get out of the open field and into the woods and hurry. My dogs gave their deep baying alarm.